LIVE: Karnivool, live at The Metro Theatre, Sydney (01-07-10)

Karnivool #5

One week ago, I embarked on a journey of epic proportions. Joined by one of my best friends and my dad, at approximately 8 o’clock in the morning we began a 7 hour drive to Sydney to see one of my favourite bands ever: Karnivool.

Doors at The Metro Theatre were set to open at 8pm, and not wanting to miss the opportunity to be up against the barrier, we lined up 2 hours early. Around 5 minutes after lining up, looking down the alley beside the Metro, who do we see but the one and only Ian Kenny! Deciding to take the chance while we had it, my friend and I walked up to him to see if we could get a photo before the gig. At first I wasn’t sure how he’d react – musicians such as himself must get asked for photos and approached by fans all the time, and it would probably get tiring. But he was the nicest guy, and was only too happy to have a quick chat and take a photo. It really made the night, getting to meet a musician from one of my favourite bands.

After that, we returned to the line outside the Metro. We were still basically at the very front, and the next 2 odd hours were spent chatting with a couple of people in line with us and a security guard (who by the way was one of the coolest security guards I’ve ever met).

The clock hit 8 and we all waited with anticipation for the doors to finally open. It took them about 10 minutes to let us in, and we walked (albeit very quickly) up the stairs to hand in our tickets and make our way inside.

Gay Paris #1

The first support act, Gay Paris, were on at about 8.30, so we didn’t have long to wait for some entertainment.

Initially, I had my doubts about Gay Paris. I checked out some of their demos and wasn’t terribly impressed, but their live show was something a bit more special. The lead singer’s style was out there, to say the least. Jumping all over the stage, talking with the audience, telling stories, rolling on the floor – it was all a bit odd, but it was interesting. He put a whole tonne of energy into it and it paid off. The guitarist I was closest to kept pulling surprised faces every so often, and did some awesome jumps during the tenser moments in their set.

In an instrumental sense, their material is full of loud rock hooks and quasi-punk-rock drumming, and it really does sound pretty good. The vocal lines consist primarily of deep growls, making most of the lyrics unintelligible from my perspective, but if that’s your thing then you should check these guys out. All in all, they put on an energetic show, and looked thrilled to be supporting someone as relatively big as Karnivool. So kudos to the guys for being interesting and warming everyone up – you did a great job.

MM9 #5

Next up were electro-rockers MM9. I was pretty excited to see these guys, having heard about their solid reputation when it comes to live shows.

They ended up being pretty entertaining. For those of you unfamiliar with them, they’re like a rockier version of Pendulum. The lead singer stood behind what looked like a small keyboard and a Mac, occasionally standing away from it and singing directly at the audience. The drumming was top notch, and was clearly tough work. The drummer had sweat pouring off his face by the end of the set.

Apart from a few troubles the guitarist had at one point, the set was flawless (as far as I could tell) on a technical level. It sounded good, and they interacted with the crowd, getting us all to sing along at a few points.

MM9 have recently released their debut “The Air Between”, and it sounds like they could begin making some bigger waves very soon. Keep an eye on them.

By this point the crowd was brimming with excitement. With each support act the mosh was getting more and more lively. With the curtains drawn over the stage, and the Karnivool guys doing a quick little sound-check to make sure everything was in order, everyone was getting fairly pumped.

The curtains opened, and we were given an empty stage. Everything was in its place. All we needed was the band. Then they came out.

Karnivool #9

The reaction from the crowd upon their entry was to be expected. It was enormous. This was the moment we’d all been waiting for.

Coming out on stage, Karnivool launched into the lead single from their latest LP “Sound Awake” – “Set Fire To The Hive”. And what a fitting beginning it was. The raw energy behind the song was matched only by the energy inherent in the audience’s enthusiasm. It felt like at least half of the mosh pit was singing along to every single word.

Karnivool then moved onto the rhythmically changing “Goliath” and LP opener “Simple Boy”, which saw guitarist Mark Hosking pick up a pair of xylophone mallets for the distinctive opening melody.

Karnivool #14

Everyone’s performances on the night were amazing. Drew Goddard’s extensive pedal set-up allowed him to recreate the majority of the studio sounds in a live environment, and when a band puts on a performance that’s so good you can hardly tell the difference between them and a CD, you know they’re something special. Ian Kenny’s vocals were amazing, and did not disappoint one bit. Jon Stockman’s bass playing was energetic and ferocious, yet still accurate. Though Mark Hosking was over on the opposite side of the stage to where I was, I couldn’t fault anything I heard, and Steve Judd’s drumming was superb, handling every time signature change and rhythmic nuance like the expert he is (I’m not sure why he had a plush bee on his drum kit, but it was cool none-the-less). In a sense I expected all of this. Karnivool are widely renowned for their live performances, and it really was a sight to behold, seeing 5 extremely talented musicians up on stage playing together.

Launching into “C.O.T.E”, one of my favourites from their debut album “Themata”, provided a nice contrast between their equally interesting songs from a few years ago and their latest material. At the end of the night, they really did quite a good job of mixing together old and new material. “Roquefort”, “Themata”, and “Shutterspeed” all got an airing, and the crowd loved it. These more mosh-friendly tunes really got everyone pumped up and excited.

Karnivool #7

Having already played through most of “Sound Awake” however, there was one final track to play before the main set was closed: “Change”. Having been alternating between “Deadman” and “Change” at previous gigs, I was glad they played the latter. It’s an amazing track that goes for over 10 minutes, and it really showcases everything brilliant about Karnivool: their ability to create moving songs, that despite their length manage to be captivating and beautiful. “Change”’s different sections fit together seamlessly, and this song is truly amazing. A brilliant end to the main set.

Karnivool #2

After around 5 minutes, Karnivool came out again to a rapturous applause. Everyone knew the encore was going to be something special – and they were right.

Bringing out fan favourite “Fade” from their “Persona” EP showed just how far Karnivool have come over the years. Moving from their early nu-metal influenced days, they’ve developed into a more progressive and unique group. I warned my friend earlier about “Fade”, and it turned out I was right – the mosh pit went off. Everyone loved it. I suspect that the New Day tour gigs could be the last gigs that they’ll play it. Maybe they’re giving it one last run before they put it on the shelf. I don’t have any evidence to justify it, but it’s just a feeling I get.

After “Fade” they pulled out the tour’s title track – “New Day”. Kenny’s hair was a little dishevelled, and they were beginning to look tired, but it seemed to me that Karnivool put in every ounce of energy possible, right up until the final notes.

All up it was an amazing gig. My friend managed to get one of Judd’s drum-sticks and a set-list, but the real prize was a drum plate thrown out at the end. It had been signed by all of the band, and was well out of my reach, going straight into the middle of the mosh.

I feel like I probably spent too much time taking photos and not enough time getting into the gig (you live and learn I guess), but regardless I still enjoyed myself a hell of a lot. It was one of the best gigs I’ve been too, and one of the most enjoyable. If you ever get a chance to see Karnivool, do so. For $40, Thursday was an absolute bargain. Make sure you see them before they start filling stadiums.

You can view a tonne of fairly good quality videos from the night here from ChezBerryxXx.

You can check out the whole set-list from the night here.

You can view all of the photos that I took here.

Also; check out the professional, and consequently much better photos taken by TheEnglishGentleman from FasterLouder over here.

triple j also managed to snap a few awesome ones. Take a look here.

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