LIVE: The Bedroom Philosopher, live at Transit Bar, Canberra (28-08-11)

Like an elephant running rampant through a tennis court, The Bedroom Philosopher demands your attention – because, like that image he’s quite funny, but also because you just aren’t sure what the hell is going to happen next.

Walking into the room with a guitar, he provided some dramatic music for two guys playing pool (incidentally the guy missed his shot). He then began snapping his fingers and strumming along, before pulling a shaker out of his mouth. Then pulling a party whistle out of his mouth, he proceeded to play it as well. It set the mood for a set filled with the sorts of antics most artists either look down upon, or are too scared to try themselves, and that’s really what sets him apart as both a comedian and a musician.

What’s particularly astounding is Justin Heazlewood’s unique brand of absurdist humour. In terms of jokes, anything goes, and any number of toes are guaranteed to be trodden on. Belconnen Labor Club, University of Canberra, and the crowd’s attempts at clapping along were all on the agenda for the night, and it was great to see everyone take it in good humour.

It was unfortunate that I failed to pick up a lot of what he was singing, and the lyrical talent I know he has failed to translate on the night. Maybe it was my position off to the side, but it felt like a lot of it was mumbled. Fortunately when you go to see The Bedroom Philosopher, you get a great deal more in a gig.

His mash-up of hits “I’m So Post Modern” and “Northcote (So Hungover)” was particularly well done, as was his impromptu rant and song aimed at the guy sitting with his back to him. When said bar patron decided to join Mr Heazlewood on stage I did worry a little, but it turned out he just wanted to stand up there with him. There may have been a hug involved, I can’t quite remember.

When it all boils down to it, The Bedroom Philosopher is both quick-witted and insightful, and as catchy as his songs are, what puts him above similar artists is how amusing and unpredictable his performance is. The sort of rare self-deprecating humour in his act is something that can only be off-set by the reading of a touching poem about depression on a packet of Cheerios (which he also offered to the audience).

The Bedroom Philosopher is not only mesmerising, but in a way that other acts most definitely are not. Without pushing his point, you can take what you want from his art – but no matter how you see it, you’ll definitely be entertained.

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