Album of the Year – On The Tune

This is more a quick list of albums I’ve enjoyed over ~~this~~ last year than some kind of definitive I-went-through-my-entire-iTunes-library-and-ranked-everything-in-order list. I might have missed a couple of releases – all I know is I really liked all these ones. You might too.

So without further ado, Album of the Year goes to…

Los Campesinos! – Hello Sadness

Hello Sadness sees Los Campesinos! trying to refine their output into a concise body of work. A structured and focused album. Gareth’s imagery is darker than ever, and hidden within the album are melodic hooks and intricacies that take a while to become apparent (the vocal crescendo in “To Tundra” is nothing short of beautiful). Brilliant, and another great release to add to their discography.

Other albums I enjoyed, in rough order of how much I enjoyed them, kind of. Just look.

Johnny Foreigner – Johnny Foreigner Vs Everything

A very close runner-up for AotY. Messy on the first few listens, it truly opens itself up after a few sit-throughs, and it gets better and better. Loud, fast, interesting, moving. Time will determine its longevity and significance in their discography, but it’s definitely a huge step in the band’s journey – hopefully one of many more to come.

Thrice – Major/Minor

Consistent and strong. Not one song feels under-baked. There are a lot of huge cathartic sing-a-long moments, and I don’t care whether or not you associate that as being a good thing or not with Thrice, but I think lyrically and musically this is an incredibly good album. Stunning. If you only listen to one song from Major/Minor, check out “Words in the Water”.

Bon Iver – Bon Iver, Bon Iver

Intricate. Delicate. Evocative. This is a great album full of great songs, and they paint a picture unlike many musicians ever could. It’s easy to understand why it got Pitchfork’s Album of the Year.

Radiohead – The King of Limbs

Arguably a step back towards their more experimental work, this was a tough album to digest. It’s entirely possible that this album takes even longer to appreciate and understand than a year, and maybe with more time I’ll enjoy it even more. It definitely has its high points, and it’s full of interesting textures – but I’m still not entirely sure how I feel about it. It still gets a place here though, ’cause it’s quite good.

Grieves – Together/Apart

With the help of producer, multi-instrumentalist, and beat-maker – Budo – Grieves has released a great album here. Criticised by many (unfairly so, I believe) for his consistently emotive lyrics, Grieves tells stories of girls, drinking, anxiety, and those monsters under your bed, amongst everything else, and while it can feel like a long haul at times, there are a pile of gems on this album. If you needed any more proof that the Rhymesayers crew were some of the best out there, this shouldn’t take long to convince you.

The Weeknd – House of Balloons

This particular instalment of The Weeknd’s trilogy of 2011 releases is making my list not because I believe it’s the best of the three, but simply because I haven’t been able to give Thursday or Echoes Of Silence a fair go yet.
That aside, this release is really interesting. I’ve never really been into R&B in a huge way, yet The Weeknd drew me in. And it’s interesting because it paints a picture of a world so foreign that I struggle to find any personal connections. It almost feels voyeuristic to listen to. It’s intriguing at any rate, and was well worth my time. It’s free too.

Foo Fighters – Wasting Light

A great album from a rock band still going strong, after all these years. Consistent, full of energy, and another strong release from a band that really are going to stand the test of time.

These last few albums haven’t had as many listens as those above, but from the amount of time I’ve given them, I like them a lot. Very much worth mentioning here.