FEATURE: Mainstream Radio

I didn’t realise it when I began, but this post is really just observation, mixed with a healthy dose of speculation, on the state of mainstream radio, and the clear differences between it and other stations. I also draw a line in the sand between the different types of listeners to music: those tolerant of and interested in new music with wide tastes, and those content to merely absorb what they’re played, and what makes people act this way. It’s basically a didactic post on mainstream radio and how I think it works.

Some people say the radio is a dying format. Actually, I haven’t heard anyone say that. But, if I had, I would imagine that next they’d say that the internet is where it’s at now. The world doesn’t need radio stations to introduce people to new music. Myspace, blogs (such as this one), and last.fm recommendations, among other things all open up thousands of new bands to a literally world-wide audience. In recent years more and more bands have been discovered by more and more people. Whether this can be attributed as a cause of the increasing amount of illegal downloading and usage of peer-to-peer clients can be saved for another post altogether. But the fact is, the internet is helping people find new music to suit their tastes in possibly more ways than radio ever will.


I would like to think that radio isn’t dying. I would very much like to think that, against all odds, it will continue to prosper as an effective medium of communication and entertainment. But are radio stations, in particular, commercial mainstream stations, playing what people want to hear?

I’m not talking about the style or type of music, or even who it’s by. That’s down to personal preference. I’m talking about the diversity of music heard on these stations. Are listeners really happy listening to the same few popular songs, over and over?


If you take a look at non-commercial stations that are externally funded, they have the freedom to play the music they want, in a sense. Of course they’re going to play music for, what could be considered, a niche audience. But they have the choice to cater to that audience and play a variety of music. They aren’t focused on trying to appeal to the majority of the population. Even the odd commercial station probably operates in this sense, I’m not sure. But I’m pointing at the stations that don’t over-play songs to death. The ones that don’t just play the singles. The main radio station I listen to operates in this way, and of course every station has popular songs it will play more than others. This one does too, to a completely reasonable extent. But the difference is, that in this rapidly moving age of the internet, it has, and will most likely continue to, operate with the intention of providing listeners with a wide variety of new material (and as far as I know the station was doing this prior to the “online music boom”). I have no problem with this. I think it’s an advantage, because not only does it play music I myself enjoy, but it has enough diversity in it’s broadcasted content to bring new music to my attention. I‘m not happy listening to the same songs over and over. I want to hear new bands, to expand my musical tastes.


The question is, will more mainstream-based commercial stations eventually follow suit? Which is indirectly a way of asking, do the listeners of these stations want to hear a wider variety of music? Because in the end these stations have to play what their listeners like, otherwise they won’t survive. Though the stations do exercise a certain amount of influence, which I will mention shortly.

It seems to me that despite the advances of the internet in opening up new bands and music to people, many mainstream listeners are either oblivious to the opportunities available, or are merely apathetic towards the issue. I work on the weekends in a local retail store, and over the course of my 3 to 5 hour shift, the mainstream commercial station being softly played throughout the store can play any one song up to 3 times (that’s the record, and that was a very long shift indeed).

The point I’m making, is that with the majority of people contently listening to these mainstream commercial stations, do most people not care about hearing new music? Are they truly happy listening to the same songs again and again, day after day? Or are they, as I mentioned before, simply unaware that other music is out there?

But, this also beckons forth the idea that maybe it’s an unconcscious choice to confine their tastes. Maybe those mainstream stations that over-play singles have, over time, conditioned their listeners not only to automatically accept what they play as good and even cool (heck, none of the mainstream radio listeners would have thought any tracks from Kings of Leon’s first 3 albums were any good, even now that they’ve got commercial air-play on their 4th), but also to accept the style of broadcast. Maybe these people have become too accustomed to hearing their favourite songs over and over, and so now expect the same kind of treatment. They’re so used to listening to the same songs over and over that it doesn’t bother them.


I think this issue draws a line dividing the types of people that listen to music. Although there are bound to be people that fit both categories in a loose sense, it clearly shows that there are those who are content to listen to the same music over and over, and those who wish to expand their tastes. Not that I have anything wrong with either side, it’s down to the listener. But it does show that the majority of mainstream radio listeners don’t want to expand their musical tastes much, whether that’s through conscious choice, a conditioning over time from the stations themselves, or being ignorant to any other option.


In the end, I don’t think radio will die out. From what I’ve concluded, I believe that mainstream listeners don’t crave the musical diversity others do, for whatever reason that may be. I think that mainstream stations not only hold influence over their listeners musical tastes, but also that they provide what people are used to hearing, and expect to hear. Considering the audience clearly has no need for a wide variety of music, they’re unlikely to be affected by the avenues opened up by the internet, and mainstream stations will continue to prosper.

In reality, other stations should also survive with their niche audience. Though that audience will most likely use the internet to seek out new material, the stations will still please with their interesting new music as well. After all, it’s a large world, and there’s a lot of talent out there.