I don’t know who letthemusicplay are. I think there are very few people who do.
The folks at RAC certainly don’t – or just aren’t telling us – going off the intriguing information they gave us via Facebook.
This one is a little strange because the artist is trying really hard to be anonymous. It’s “rumored” that the members are some of the biggest names in electronic music.
But at the end of the day, does it really matter? If letthemusicplay were awful then I’d be more than happy to criticise their anonymity as a gimmick to attract buzz, but they’re actually pretty good. Chances are, they’ll eventually gain enough attention simply through the quality of their music. You can check out the original cut of “Waves” here, and what I’m fairly sure is their only other track, “Space”, here.
And to top it off, this is an RAC mix we’re talking about! They’ve done so many brilliant mixes over the past few years. They can even make the Old Spice Guy sound like he belongs in a club for crying out loud.
Take a listen below. This catchy dance number is worth your time.
And yeah, that sounds like Dougy from The Temper Trap to me too.
I don’t have many concrete facts to give you regarding this EP. It arrived in my inbox without a press release, and with only the most basic of information: Tim is 21, lives in Sydney, and wrote, played, and produced the whole release at his home. If you ask me, that’s quite an impressive feat giving how good it sounds! As an aside, let this be an important lesson to any PR types: long, convoluted press releases full of spin will not make me want to listen to your music more. I’m more likely to listen to your music if it’s good. Tim Fitz is proof of this.
The first track “Disposable Youth” opens the EP magnificently: tinkling pianos and thundering drums give way to a tremendous crescendo as the song builds. If you try one song, “Disposable Youth” should be it. The percussion in “Helplessman” sounds so glitchy and unpredictable, and the acoustic ditty “Box” feels so laid-back. This is a diverse EP, and it’s all the better for it.
All up, Infinite Space is quite short, clocking in at just over 12 minutes, but this is one of its best attributes because it just works. The songs don’t drag on, and the timing feels right. The release moves and adjusts so seamlessly, changing stylistically on a regular basis. After listening, you’ll notice it’s incredibly difficult to pin-point any one sound or pigeon-hole the release. It’s also refreshing to have such a short and diverse collection of songs, and it’s amazing how much is crammed into such a small time frame. Tim’s voice sounds great, and he could easily escalate out of the whole “bedroom musician” niche. However, an artist’s live show can be a large part of that transition, and I’ve got no idea where that stands right now.
Regardless, this is some great music from someone who does everything themself. It’s a brilliant testament to the things musicians can create without a label backing them. If you have a passion for it, if you want it badly enough, then you can do it: Tim Fitz is living proof of this. Infinite Space is a great release, and trust me – you have time to listen to it and to give it a go. Enjoy it and be inspired by it, because that’s what it will do.
Grab Infinite Space EP over here from Bandcamp (you can name your own price).
Dead Air Space, Radiohead’s blog and website has just recently confirmed what a lot of people thought. That "These Are My Twisted Words" is in fact a real song they’d finished recording, not some elaborate hoax.
Thank goodness, it’d leave a lot of fans (like myself) feeling rather embarassed for getting worked up and excited if it was fake.
They are also, giving it away for free! If you haven’t checked it out yet, do so!
Everyone was hoping for an EP to be released on the 17th, but patience is a virtue. I’d rather they created the same brilliant work over them rushing it. But yeah, the build up to the 17th is over. It’s a real song. And it’s free to download.
However I always find myself enjoying whole albums/EP’s more than just a single song by them. The whole works just seem to have so much atmosphere and feeling. Though that said I can appreciate the work in a single song and how it sounds. Surprisingly, I’m not giving it a completely biased 10 like I thought I would.
I don’t really have any constructive criticism and I’m sure it’ll grow on me to the point of wanting to give it a 10 in the future, but after a few listens it just doesn’t seem like a classic single. Maybe in the form of an EP it’ll fit in more and sound more complete.