FEATURE: Is everyone getting ready to take back Sunday?

So I may be almost a month late with this, but the new single from Taking Back Sunday has been released. It’s called “Faith (When I Let You Down)”, and I’m pretty excited.

It sounds like one of the most anthemic songs I’ve heard from them, and for once some of the YouTube commenters have a point – some of it does sound 30-Seconds-to-Mars-esque, which is interesting for two reasons.

After returning to the 2001 lineup that crafted Tell All Your Friends, there was talk of the band returning to their “roots”, and moving away from some of the poppier sounds found on their latest LP New Again.

The first track to premiere from the new album was “El Paso”, and it certainly sounded much more raw and vicious, strengthening my belief this would be a completely new record.

But then “Faith (When I Let You Down)” changed that. I’m personally cool with both sides of the band, so this isn’t really bothering me, but it should be pretty obvious to anyone who listens that both tracks are very different.

Is it possible to get both worlds with this new release? I wouldn’t be complaining.

Take a listen yourself below. Taking Back Sunday’s fifth LP (which is self-titled by the way) comes out on the 28th of June.

FEATURE: Albums Of The Year – 2009

1. Karnivool – Sound Awake:

An experimental outing relative to their debut, Karnivool have crafted nothing short of a masterpiece with this album. Put simply, this album is a grower. It’s one of those seemingly magical works that transcends logic by becoming more intriguing and enjoyable after every single listen. Rhythmically, Karnivool work on a level superior to most other bands I’ve heard. I’m not sure it’s possible to overstate how great this album is. Ian Kenny’s vocals are really something to behold. However if I was to recommend this band to someone, I would tell them to try their debut album “Themata” first. It’s more accessible and easy to get into, though it has many of the elements of “Sound Awake” in a slightly less experimental form. It’s a great stepping stone for approaching this amazing album.

Link to full review.


2. The Antlers – Hospice:

Hospice evokes a great deal of emotion in observant listeners through it’s tales of death, cancer, and relationships. A very moving album, it makes use of simplistic piano chords that resonate through low levels of ambient electronic noise, that contribute to the songs tonally. Lyrically it’s thematically similar throughout, though it’s incredibly well crafted. With lines like:

With the bite of the teeth of that ring on my finger,
I’m bound to your bedside, your eulogy singer.
I’d happily take all those bullets inside you and put them inside of myself,”

you just might wanna sit down and listen to this one carefully. It’s well worth the effort.


3. Taking Back Sunday – New Again:

Though nothing fancy and special, it’s a great catchy album full of typical pop-rock/punk songs. Nothing revolutionary, but it’s strong and fun, and I liked it. It’s as simple as that.

Link to full review.

~

Other honourary mentions, in no particular order of importance or worth:

The Temper Trap – Conditions:

A blend of catchy pop hooks and stylistically distinct vocals made “Conditions” the strong album that helped The Temper Trap achieve a moderate level of mainstream exposure across Australian commercial radio stations. Though this point is often associated as the beginning of a band’s downfall in terms of originality and livelihood – the fall into being controlled by industry giants in terms of creativity and sound – “Conditions” builds the foundations through which The Temper Trap can continue to grow and explore music. Hopefully they will.

Metric – Fantasies:

The electro-pop synths of Metric merge together with agile guitar hooks, all overlayed by Emily Haines’ entrancing vocal lines, to portray the confident sense of maturity inherent on this album. Moving from the dominating songs like “Sick Muse” to songs like “Twilight Galaxy”, which show a more delicate side of the album, helps display the diverse range of moods that are explored over the course of the LP. An engaging album that is an exciting look at what seemed like – to me – a stagnating style of music.

Passion Pit – Manners:

Infectious pop melodies dominate the debut from Passion Pit. The first 4 tracks are very good indeed. After that, it drops a bit, but manages to pick up before the end. “Sleepyhead” is short, but very catchy. Not a bad effort for their first album. I like it for the most part.

Future of the Left – Travels with Myself and Another:

Taking a raw, alternative rock sound, Future of the Left created an album full of simple and strong riffs, interspersed between harsh and powerful vocal lines. Stripping songs down to what seems like the essential qualities of fast, angry rock music, the album has it’s moments, with fills in-between that leave just a little to be satisfied. Despite giving it a score of 6.5/10 (maybe I was a tad harsh), it’s well built, and it’s just plain fun.

Link to full review.

Phoenix – Wolfgang Amadeus Phoenix:

Catchy french pop/rock with distinctive vocals. This album really propelled Phoenix into a musical limelight. It’s quite good, but hasn’t caught on with me as much as I’d have liked it to. It’s one of those odd times when I can recognise how good something is, yet still not feel compelled to listen to it for some reason. Nevertheless, it’s a pretty good album.

The xx – xx:

The xx make slow, relaxing, and dare I say minimalistic music, that gives off an aura of spaciousness, while still seeming defined and not coming off as some band’s attempt at improvisation. Though the songs do seem to lag a bit in the middle, and the first half of the album does seem great deal stronger, they’re worth checking out. Plus the first track, “Intro”, is actually a very good introduction, which sets them apart from those bands who have introductions that seem to contribute absolutely nothing to the album.

REVIEW: Taking Back Sunday – "New Again"

Taking Back Sunday don’t exactly reinvent the wheel with "New Again", but they do deliver, for the most part, a solid album of infectious pop-punk tunes.

With the loss of guitarist Fred Mascherino, who is replaced by Matthew Fazzi, the band doesn’t exactly seem to shake things up much. However, why try and fix something if it isn’t broken? This is the kind of music Taking Back Sunday make, and there’s nothing wrong with it.

The album begins strongly with title track, "New Again", and as the thumping bass riff opens, it becomes evident that though the band’s sound hasn’t been drastically altered, you’re in for a ride. The first single "Sink Into Me" further ingrains this notion, with a healthy dose of "hey!"’s, and a great bridge that builds up for the final chorus. "Swing" brings out the high guitar riff for its chorus, but unfortunately the album then hits a disappointing snag. "Where My Mouth Is" just slows the album down, and though the song is of a good quality, it seems like an inappropriate place to put it. Luckily, immediately after, "Cut Me Up Jenny" picks up the pace and the album keeps rolling. Penultimate track, "Carpathia", with all it’s strong rhythms, provides a smooth transition into closer "Everything Must Go". Despite the fact it seems "Everything Must Go" takes a little too long to start, it’s verses are appropriately slow and seem to work very well. Building up to a strong chorus, the album ends on an aggressive tone, but fades out nicely.

Lyrically, nothing is new or different for the band, and vocally Adam Lazzara is still as strong as before. That’s not to say the lyrics aren’t satisfying or interesting, because when it comes to catchy chorus’ in a few songs, the band really nails it. They just aren’t different.

If you’re a fan of some good ol’ alternative rock, or you’ve heard some Taking Back Sunday before and liked it, pick up "New Again". It expands on the band’s sound without changing anything major, and the songs are mostly great, with a few exceptionally brilliant stand outs.

Score: 7/10