MIXTAPE: On The Tune Mixtape Vol. 5

On The Tune Mixtape Vol. 5

It’s certainly been a while between mixtapes, but hopefully this is a triumphant return to form! We’ve got something for everyone with this one. Guitar-based songs, softer tracks, a Talking Heads cover, sample-based electronic songs, hip-hop mash-ups, acoustic ditties, and some post-rock to finish everything up.

Plus, it’s all completely legal. I asked every single artist or their management if I could use the tracks. No guilty conscience for anyone involved. It feels nice, doesn’t it?

Enough of my ramblings though. Feel free to peruse this fine tracklisting and download the mixtape at your leisure. Happy listening!

P.S. Cover art is by the incredibly handsome Michael “Sea Monkeys” Forrest.

And don’t forget to like On The Tune on Facebook!

Download

Size: 131.09 MB

Tracklist:

1. Winter Street – A Little More

2. The Moniters – Lights Go Down

3. The Panda Band – The Fix

4. The Deer Republic – Feel Like Dancing

5. Millions – Those Girls

6. Udays Tiger – Machine

7. Tim Fitz – Disposable Youth

8. The Dead Leaves – This Must Be The Place (Naive Melody)

9. Buckley Ward – So Pretend

10. Anton Franc – Letting Go

11. Air France – It Feels Good To Be Around You

12. Lion & the Lotus – Vistas De Oro

13. Gotye –  Somebody That I Used To Know (Phatchance Hip Hop Remix) Remixed by One Above

14. The Trouble With Templeton – Bleeders

15. Cheer Advisory Council – Coach

16. Solkyri – This Can’t Wait!

17. Tom Day – Home

Don’t know how to unzip stuff? Download 7zip here.
Don’t know which download link to click? I don’t know what .msi files are either. Do you use Windows? Try this one.

BRAND NEW: Gotye – “Somebody That I Used To Know (Phatchance Hip Hop Remix) Remixed by One Above”

With Phatchance holding the pen and One Above working on the beat, this remix always had the right people behind it – but was it enough to do something special to the original? Was it enough to successfully remix a song that’s gone absolutely crazy in the Australian music scene?

I think the answer to that is a resounding “YES”. This track once again displays just how underrated Chance is in the hip-hop scene – the verses he delivers on this reworking keep the same tone as the original, and the imagery is so evocative. Not only that, but rhythmically Chance’s flow is at its very best here. I don’t know how he has managed to take such a distinctive and popular track, and contribute so much to it lyrically – although I really shouldn’t be so surprised.

And you know what? People are going to whinge. I know they will. “Oh he ruined the original!” Just try to listen to it as a stand-alone track. Listen to it as something completely new. Chance’s lyrics and style cement him as one of my favourite hip-hop artists, and this remix is gold. You are allowed to like both the original and this, you know that right? We’re all friends here, we all wanna hear good music. Wally is such a cool dude he even gave Chance the stems to use for the mix. Don’t be hatin’. Just listen, and hopefully enjoy! (You can download it too if you want! It’s on Chance’s mixtape.)

Also! For any budding producers/musicians who want to remix Gotye’s track, he’s made the stems available over here on his website! [direct link to download the stems]

Hi guys, unfortunately it seems Gotye has either taken the stems down or they ran out of downloads – they’re no longer available. However someone found an alternate link down in the comments if you’re interested.

INTERVIEW: Big Bird’s Bear Trap

Yesterday a friend of mine directed me to a YouTube video, and my mind was absolutely blown.

Although uploaded over a year and a half ago, and consisting of a home recording from their lounge room, Big Bird’s Bear Trap’s video shows them displaying serious vigour and energy as they perform one of their earliest songs. Their fan-base may not have expanded far beyond the local region, but if the video is anything to go by, then BBBT have one of the wildest live shows going around right now.

Of course, the harsh instrumentation and occasional screaming may put some listeners off, but the beautiful undertones of honesty and integrity in the lyrics will hit home for many, and it’s the contrast between the quieter moments the band has and these brutal surges that really differentiate them from other artists.

I caught up with Mitch Reinke from the band to talk about the band’s future and how they feel about their older material.

On the Tune: You guys have been fairly quiet recently, what’s happening? Can we expect some new material soon?

Mitch: Yeah, you’re right we have been quiet for a while. We sort of took a year of to pursue other goals we had and we were going to just see what happens I guess. We have a few projects going and a few new bands coming up but you never know, BBBT might be back sooner than you know.

OtT: Your live shows look insane – any chance of a tour sometime soon?

M: Look, we are in the process of working out logistics for a tour but with the tightening rules around firework accessibility, gun control regulations and the fact that OH&S say were not allowed to get 17 independently powered Van der Graaf generators to make the crowds stand on end, due to a high risk of mass electrocution to what ever city we would be touring in first, it might be a little while before its up and running. But we will keep the fans informed.

OtT: What was your inspiration for “Ode to Beethoven”? Apart from Beethoven, of course.

M: “Ode to Beethoven” was a fantastic breakthrough song for us as we were really experimenting through many different genres of music, which ones sort of just melded naturally together, and low and behold it turns out we stumbled upon something. Who knew Classical and what we like to call DESTRUCTO METAL would fuse so perfectly together in a sort of harmonic and sanctimonious love fest of notes. I guess the reason that we were inspired to dedicate this song to Beethoven was just that we wanted to have a song that really showed the evolution of music from where it was back then to where it is now, and I think that Beethoven’s music really summed up the feeling in his day, and I believe our music really sums up the world we live in now. But again that is open to the individual’s interpretation.

OtT: I hear Warner Music have picked you up recently, is this true? Are you signed now?

M: That’s a simple misunderstanding there, but the label was in fact WarNed not Warner. WarNed Records is a record company based in Austria and the rough translation is War=WAS and Ned=NOT. Its great working with Was Not (to use their English name) Records, they’re all really great guys and despite not being able to understand them we have had a great time. This would also answer a question of the next album release date which will be, as far as I can gather from the reaction I got from our producer when I asked him the question, “ich verstehe dich nicht, ich verstehe dich nicht, ich weiss nicht was du hast gesagt.” And I can only presume that is good, so it shouldn’t be too long.

FEATURE: One last post: This is it.

This was originally going to be posted on my Optus Sound Scribe blog: To Kill A Harpsichord. However, posting closed early last night, and I didn’t get a chance to publish it. So here it is.

P.S. Normal service will resume at On The Tune in a few weeks. I’m taking a short break.

– –

The final post.

I’ll keep it short – if you haven’t read my open letter to everyone yet, it’s over here.

I’d like to say a few more things before this finishes up.

Thank you to everyone who has worked on this project, written alongside me, supported me, or encouraged me to do my best – I owe you one. Epsecially the media institutions like 99.7 Star FM and The Irrigator, who gave me some very helpful publicity.

This has been a fantastic experience – thank you to Optus for making it all possible. I’ve made new friends that I’m sure I’ll keep in touch with for a long time, and I’ve been lucky enough to read some brilliant work from a lot of you.

There are a huge amount people that are close to me I could namedrop to thank, although I can’t possibly list you all. If you have signed my petition, commented, shared the link to my blog, or helped me out in anyway – thank you. It means a lot to me.

That said, I would like to mention a few special people.

Firstly, my parents, for putting up with me constantly blogging and taking time off from study to work on this – thank you. It means a lot that you’ve supported me in being a Scribe, especially during my HSC.

Secondly, my close friends who helped with putting up posters, collecting photos, gathering petitions, and general online support – Alex Hingston, Katelyn Yeo, and Mykal Forrest (especially for Mykal’s artistic poster designs!).

Lastly, I’d like to thank Lian Drinan. She has shared the link to my blog on Facebook constantly since day one, commented on my posts, and helped make a lot of what we’ve all achieved possible. She was a huge help in the Capture Your Community competition, and came up the street with me to help out every time I needed a hand – whether it was putting up posters, or collecting votes. I’ve been incredibly lucky to have a great friend like you helping me throughout this, and I don’t think this can be said enough – thank you.

Good luck to the rest of you in the competition, and in the future – I’m sure a lot of you will achieve some amazing things, whether they’re to do with journalism, music, or both!

All the best,

Jeremy

REVIEW: Karnivool – "Sound Awake"

"Sound Awake" retains the atmospheric environment that debut "Themata" created, and develops it to the next, more consistent level. With the songs ranging from a mere 1 minute and 49 seconds to the 12 minute long penultimate track, "Sound Awake" has often been described using the ever so clichéd word "epic". Despite the popular term now being used so loosely, "Sound Awake" is clearly deserving of it in a more serious sense.

Off-beat and syncopated rhythms display a clear level of technical integrity, both in the drumming and guitar lines, and Ian Kenny’s magnificent vocals interspersed between these two often varying patterns seems to somehow fit in perfectly. The seemingly experimental nature seen within a vast majority of the pieces (for example, opener "Simple Boy" makes use of a xylophone) separates the album from something another progressive rock band could or would do.

Kenny’s simply amazing voice and lyrics go hand in hand, as he manages to make simple lines like "It’s a new day" soar. Four simple words become four infectious words that sound so clear and free.

"Sound Awake" consistently impresses, throughout it’s entire 72 minutes. Long tracks like "New Day" don’t bore at all, as many bands who aspire to such song lengths often do, and in fact leave you wanting more. Many believe "Sound Awake" inferior to predecessor "Themata", claiming that the debut’s tracks are instantly addictive and awesome. Whilst to a certain extent they do have a point, the defining feature of "Sound Awake" is that it grows as an album. With each listen, it becomes more interesting and enjoyable, which is an attribute of music that should be cherished, encouraged, and most of all enjoyed! The ability to create music that people discover something new with in every listen is a great ability indeed. To be able to go back to an album and enjoy it even more than the last time you listened to it is brilliant. This is exactly what makes "Sound Awake" so good. Thundering guitars, off-beat drumming, technical riffs, beautiful vocal lines, and an experimental edge all merge together to create something very special.

Score: 10/10

BRAND NEW: Weezer – "(If You’re Wondering If I Want You To) I Want You To"

Awesome new song by Weezer that got leaked. Apparently someone at Walmart put the full track up, not the 30 second preview.
Anyway, I think this song is so catchy. The chorus goes off, I can see people singing along to this at festivals and gigs everywhere.
Grats to the Weezer guys for penning such an awesome track.

Score: 8/10

Check out a download here: http://www.twelvemajorchords.com/?p=1793